Coined by Emmeline Clein in 2019, dissociative feminism describes a subset of feminism characterized by jadedness and “interiorizing our existential aches and angst, smirking knowingly at them.” Dissociative feminism describes women who, once exuberant soldiers of the gender equality movement, are now exhausted past the point of anger. Feminist author Leslie Jamison identifies the root of dissociative feminism as “aching gone implicit,” reflecting a reaction to the recent plateauing of women’s rights reforms.
Dissociative feminism resonates with many women because it describes women’s exhaustion at the stagnant gender revolution and the catharsis of feminine misery.
An example of its portrayal can be seen in the popular show, Fleabag. Like any good dissociative feminist, Fleabag also submits to hopelessness. Certain that fourth-wave feminism will never truly establish gender equality, Fleabag ceases protests against the patriarchy and internalizes her anger, embracing feminine messiness and pain. By her own admission, she is a “greedy, perverted, selfish, apathetic, cynical, depraved, morally bankrupt woman” who can’t even call herself a feminist.
Outside these moments of emotional vulnerability, Fleabag often makes light of her messiness, and views men as vessels through which she can achieve validation; she does not even bother to name the majority of the men with whom she is involved, only referring to them by amusing monikers such as 'Bus Rodent,' and 'Hot Misogynist.'